Essay PreviewMore ↓
It is a long and unusual journey. I still wonder what it really is. I read the selections of four wonderful authors and I am still a little confused about the real history and theory of magical realism. I do know that before a person gets into this idea of magical realism, he or she really has to have a big imagination and willingness to learn about it. I guess what I am trying to say is that magical realism depends on who a person is and what a person is willing to believe.
I thought that Franz Roh's selection was brief on magical realism. I see where Roh compared Magical Realism to Expressionism. He came up with different theories about how to look at certain things in the world. This essay was definitely deep and way out there. He talked about the different ways to represent something. "We recognize this world, although now-not only because we have emerged from a dream-we look on it with new eyes"(Roh 17). It was not just an everyday word, it had to be mystical, magical, fantasized etc. I really do not see how somebody could come up with such an idea. The whole point is he mixes reality with fantasy. In his selection, he talks about the supernatural, things such as aliens that really move some people. Magical Realism plays a major role in issues such as this. People have to go beyond the world and look just a little further. One's imagination will take them places of which they have never dreamed before. Some people swear up and down that aliens, UFO's, and foreign space ships are not real. How do they know? I guess I will have to stick with Roh on believing in the existence of the supernatural, the magical, and the freaks of nature.
Whether I understand completely or not, I think it is really neat how someone can go beyond the unthinkable. That is exactly what Roh does. Some things he talks about I cannot interpret, but I see his outline of it. I do not think there would be any interesting things to look forward to if someone did not use one's imagination and research on things that are mind boggling to the world today. Maybe if more people knew about this "magical realism, they would look at things differently.
Angel Flores wrote about magical realism in a way that was hard for me to understand.
How to Cite this Page
"Magical Realism." 123HelpMe.com. 03 Jul 2020
Need Writing Help?
Get feedback on grammar, clarity, concision and logic instantly.Check your paper »
- Magical Realism as a World View Magical Realism is the way in which a person views the world through a type of art. Magical realism deals with emotions, and it also discovers what is mysterious and meaningful in life. According to Franz Roh, in painting, is the way a person views the world through art (18, 20). Magical Realism has many characteristics that include many other ideas. Magical Realism can be observed in other subject areas, too, such as the logotherapy of Victor Frankl. Simpkins mentioned that "real life" is the "Real magic" (152).... [tags: Magical Realism Literature]
461 words (1.3 pages)
- Magical Realism: Theory and History While reading Franz Roh, Angel Flores, Amaryll Chanady, and Luis Leal, I have learned many things about magical realism. I also learned that there are many different definitions for magical realism. I have learned that magical realism is not considered a fairy tale. Amaryll Chanady feels that magical realism is focused more toward reality. However, Luis Leal feels that magical realism is used to express emotions. While reading these essays and finding some research on magical realism, I found that many people have many different views on what magical realism is.... [tags: Magical Realism Literature Papers]
1746 words (5 pages)
- Connecting Magical Realism and Psychology At first, German art critic Franz Roh used the term "Magical Realism" to describe a style of painting (Roh 15). Eventually, Arturo Uslar Pietri adapted the term in order to describe a type of literature (Leal 120). While the exact definition of Magical Realism is open to interpretation, it is certain that Magical Realism gives a deeper meaning to ordinary life by unearthing mysteries that hide behind the world (Roh 16-17). In order to uncover these mysteries, Magical Realism combines fantasy with reality (Flores 110-111).... [tags: Magical Realism Psychology]
774 words (2.2 pages)
- Magical Realism and Quantum Physics The term Magical Realism is said to have started with the German art critic Franz Roh, who used the trem to describe the return of art to Realism from Expressionism. The term Magical Realism has also been used to categorize some the novels and short stories of authors such as Gabriel Garcia Marquez, Gunter Grass, and John Fowls. These writers use techniques that combine the real and unreal in ways that make them believable and acceptable by both the reader and characters in the stories.... [tags: Magical Realism Literature]
437 words (1.2 pages)
- Magical Realism and Psychology "Magical realism was first used by the art critic Franz Roh to designate the pictorial output of the Postexpressionist period, beginning around 1925" (Leal 120). Later, this term was applied to forms of literature. This type of literature contains characteristics such as real and unreal elements, no hesitation, and hidden meanings. Given these and other characteristics, it is easy to see that magical realism can be applied to things outside of literature, such as psychology.... [tags: Magical Realism Literature Literary]
756 words (2.2 pages)
- Magical Realism as Applied to the Field of Psychology Throughout time, one finds many different categories of literature. Magical Realism, a relatively new category, seems to be one of, if not the most, controversial category of the last century. Magical Realism combines a magical, often grotesque, element with a reality based background and allows the reader to view life in a more profound way. The field of psychology, specifically the case of the Wild Child known as Genie, parallels very closely with the ideals of Magical Realism.... [tags: Magical Realism Literature]
665 words (1.9 pages)
- Throughout Isabel Allende’s Story, “The Little Heidelberg”, love and magical realism can be observed. There are plentiful details in describing the physical characteristics of the setting and the people and scenery within the tale. These techniques reinforce the theme, of which is unrequited love. “The Little Heidelberg” is the story of a small dance hall. The customers of The Little Heidelberg are typically older men and women, many of whom are foreigners who cannot speak English. One of these is El Capitán, a retired Finnish sea captain, who has been dancing with niña Eloísa, a lovely Russian woman, weekly for forty years.... [tags: Isabel Allende, Little Heidelberg, magical realism]
1049 words (3 pages)
- Magical Realism The idea of a genre of art that is called magical realism is less a trend than a tradition, an evolving genre that has its waxings and wanings, where each evolving form expresses an idea that may overlap another, yet at the same time branches off and creates something very different. What began in the visual arts has become a contemporary literary genre due to divergences. Contemporary Latin American writers of this mode include Alejo Carpentier, Jorge Luis Borges, Isabel Allende, Gabriel Garcia Marquez, Octavio Paz, Pablo Neruda, and Majorie Agosin.... [tags: Magical Realism Essays]
1245 words (3.6 pages)
- To many critics of the genre, Magical Realism is nothing but updated children's tales being passed off as substantial literature, but if we look deeper, the essence of this movement is bared to the viewer. By looking at the history and origins of Magical Realism, as well as the term itself, we can begin to understand the importance of this writing style in today's society. The roots behind Magical Realism are found in many cultures, but the literature is mainly attributed to South American writers, such as Gabriel Garcia Marquez.... [tags: Magical Realism Essays]
583 words (1.7 pages)
- Magical Realism It is a long and unusual journey. I still wonder what it really is. I read the selections of four wonderful authors and I am still a little confused about the real history and theory of magical realism. I do know that before a person gets into this idea of magical realism, he or she really has to have a big imagination and willingness to learn about it. I guess what I am trying to say is that magical realism depends on who a person is and what a person is willing to believe. I thought that Franz Roh's selection was brief on magical realism.... [tags: Latin American Literature Essays]
1203 words (3.4 pages)
Where I really started to understand magical realism is when I read Luis Leal's selection. He describes magical realism in a way that I can better understand. For example, he says that "magical realism, more than anything else, an attitude toward reality that can expressed in popular and cultured forms, in elaborate or rustic styles, in closed or open structures"(Leal 121).I like the way he gives so many ways to describe what magical realism is. I agree with Leal's idea. Even though he never came up with magical realism I think he has a better meaning of it. I do think it is basically an attitude towards something a person wants to believe about it. It is more based on opinion of what they really want to believe is true. There was a part in his reading that lost me: "Shaking hands is not the same as to shake hands"(Leal 121). He also says "that making a bed is not the same thing as making a bed"(Leal 121). He really loses me on those parts. I cannot see a difference in them, but like magical realism, people have to look at it in a different way. In every one of the readings so far, I do see that they say they do not agree with other realists on their point of view or definition of magical realism. I see no wrong in any of their views. Leal does not believe that certain authors deserve to get credit for starting magical realism. I think he was disappointed in Flores for saying Borges played the first role in it.
Amaryll Chanady had the hardest selection to read. This author goes from one thing to another too quickly for me to interpret. I did not really catch what her idea of realism was. I just caught where she critiqued every other realist. She talks about Flores and Leal a lot. I like where she can see the argumentation of the two about magical realism. They argue about where it was derived from, what it is about, both of which I am still confused on.
Chanady is completely right when he says, "The readings of the two Flores and Leal lie completely in the valorization of the imaginary, their arguments proceed in different ways and attribute a different status to fiction"(Chanady 130). There I take it as Chanady is saying it is based upon what one wants to believe. Everybody is not going to believe one person's point of view. I do not understand in the reading why they cannot stress out what they really believe instead of critiquing everything that every other author says. Maybe if they would really break down and tell what their belief on magical realism was, and not bad mouth the others, people could figure out who they wanted to believe. To me, they give such a short description of what they believe and then jump on to someone else's belief.
Do not get me wrong, I am not downing any of these brilliant authors; I just wish they could come right out and say what they believe in a simpler way. I guess that is just how it is. If everything would be so simple, what would be the point of learning? Magical realism is just something for which people really have to want to use their innermost thoughts and definitely their imagination. Magical realism does really depend on who you a person is and what a person is willing to believe. I guess in so many words everyone just has to believe.
Chanady, Amaryll. "Magical Realism : Post Expressionism, Magical Realism: Theory, History, Community." Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995: 125-144.
Flores, Angel. "Magical Realism: Post-Expressionism, Magical Realism: Theory, History, Community." Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995: 109-117.
Leal, Luis. "Magical Realism: Post-Expressionism, Magical Realism: Theory, History, Community." Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995: 119-124.
Roh, Franz. "Magical Realism: Post-Expressionism, Magical Realism: Theory, History, Community." Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995: 15-31.